Built for productions that can't afford mistakes.

Stills Rental for Motion-Led Productions

Motion-led productions need a stills rental partner who understands the set — not just the gear list. We supply stills packages built around how these jobs actually run.

The Reality of Stills on Motion

Most stills work now lives inside a motion production. The motion unit drives the schedule, the footprint, and the priorities. The stills photographer works around all of it — fitting in between setups, sharing space on the truck, and delivering under someone else's timeline.

That's a different job than a standalone stills shoot. The rental support should reflect that.

What We Do on These Jobs

We handle the stills side. Camera bodies, lenses, grip, lighting — packaged and scaled for a stills unit, not a motion truck. We work alongside whatever motion house is already on the job.

That means we understand the hierarchy. We're not trying to run the production. We're making sure the stills photographer has exactly what they need, when they need it, without adding friction to the broader operation.

How It Works

Packages built for stills units. We scale gear to the actual scope of the stills work — not a stripped-down version of a motion package. Every kit is built around what a stills photographer needs on a motion-dominant set.

Production-grade logistics. Delivery and pickup timed to your production schedule. We coordinate around your dates, your locations, and your call times — not ours.

Direct support throughout the job. If something comes up on set, you're not navigating a call centre. You reach us directly. 24/7 availability, same as every job we support.

Why Productions Come to Us

The stills side of a production often gets treated as an afterthought by larger rental houses focused on the motion package. We treat it as the job — because for us, it is.

We've built our operation around reliability, full support, and relationships with the people doing the work. That applies whether it's a two-day corporate shoot or a stills unit embedded in a larger production for weeks.

Who This Is For

Production companies, line producers, stills photographers, and photo coordinators working on motion-led commercial, film, or broadcast productions in Toronto and the GTA. If your stills unit needs its own rental partner who understands the dynamics of a motion set, we're built for that.

Popular Equipment for Stills Units

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Frequently Asked Questions

Do you work alongside other rental houses on the same production?

Yes. We regularly supply the stills package on productions where another house is handling the motion gear. We coordinate with whoever needs coordinating and stay in our lane — the stills unit is our focus.

What stills equipment do you carry for motion-set work?

Profoto flash systems (Pro D3, D2, B10, B1X), Canon and Nikon mirrorless bodies, Hasselblad and Fuji GFX medium format, plus a full modifier and grip library. Everything a stills photographer needs on a motion-dominant set.

Can you deliver to our production location in Toronto?

Yes. We deliver across Toronto and the GTA 24/7. We'll time delivery and pickup to your call sheet — early mornings, late wraps, and multi-location days are all standard for us.

How do you price stills packages for multi-day productions?

We offer weekly rates (approximately 3.5x daily) and 4-week rates for longer engagements. For productions spanning multiple weeks, we can build custom pricing around the actual scope of the stills work. Contact us for a quote.

What if we need to add or swap gear mid-production?

That's standard. Productions change — we can add, swap, or adjust the stills package at any point during the job. You reach us directly, not a call centre, so changes happen fast.

Studios. Equipment. Delivery. Repairs. One team, one place.

Planning a production with a stills unit?

Tell us about the job and we'll put together a stills package that fits the production.